Group show presenting a relay of works shown for various durations and overlapping in time

The project formed part of the Annual Ipswich Biennial - aibart.org

Katrina Blannin, Alice Campos, John Chilver, Richard Clements,
Annabel Elgar, Maddie Exton, Hayley Field, Ryan Gander,
Jevan Watkins Jones, Trevor Kiernander, Simon Mathers,
Sonia Morange, Carl Morton, Andrew Munks, Simon Newby,
Carole Parnell, Chinmoyi Patel, Alex Pearl, Phoebe Pryer,
Alex Robbins, Jackson Sprague, Kate Street, Srinivas Surti,
Adam Thompson, Thom Trojanowski, Ruth Waters, Willem Weismann,
Simon Willems, George Woolfe

Works shown in reverse chronological order -

 

George Woolfe, Influenza, 2018
Found antique table, planetary gears, stepper motor, Arduino, glass of water.

Carl Morton, Dürer bell, 2018
steel, string, custom Swizzle drumstick.

Simon Newby, Untitled (Underworld), 2017
Acrylic.

Thom Trojanowski, Artist Representation of Bentwaters Artefact N. 1, 2018
Oil on canvas.

Alex Robbins, Postcard a day from LA, 2018

Phoebe Pryor, 'Sound Diary (June - October)', 2017
Pen on paper.

Katrina Blannin, Number 201, 2018
Collograph monotype using handmade traditional Japanese nori (rice flour) paste ink on paper.

Trevor Kiernander, Quarry, 2018
Oil, acrylic, and charcoal on canvas.

Jackson Sprague, Ground Speak, 2018
Cardboard, steel, gouache.

Sonia Morange, Untitled (Blue), 2017
scraps of painted canvas.

Alex Robbins, Postcard a day from LA, 2018-ongoing

Willem Weismann, Kitchen Heat , 2017
oil on canvas.

Thom Trojanowski, Welcome, 2018
Clay, doweling rod, modroc, paint, resin,
spray paint and canvas.

Richard Clements, Gift, 2018
Glass, steel.

Srinivas Surti, Carcass, 2018
Bronze cast internal fragment of honeycomb display board.

Chinmoyi Patel, The Solid Melts into Sauce, 2015
HD Video  8 min 33 sec.

Carole Parnell, Joffre, 2018
French road sign.

Alex Robbins, Postcard a day from LA, 2018-ongoing

Andrew Munks, Vintage Baby, 2018
Inkjet on board.

Alex Robbins, Postcard a day from LA, 2018-ongoing

John Chilver 'Because of Never Having Known Anything Else', 2018. Oil on canvas.  
'The Assumed Distance', 2018. Oil on canvas.
'Of Space, November 2017', 2018. Oil on canvas
Collaboration with Edgar Schmitz:
'Wall and Banner', 2017-18, Oil on canvas.

Simon Mathers, Protein shake, 2018
Gouache, tooth picks, collage and acrylic on concrete.

Alex Robbins, Postcard a day from LA, 2018-ongoing

Simon Newby, Untitled (Action), 2016
Poly filler, plastic building blocks, MDF, card, pins.

 

Hayley Field, Across the river in the trees, 2017-ongoing
Watercolour and pencil.


 

Alex Robbins, Postcard a day from LA, 2018-ongoing

Ryan Gander, It's got such good heart ii (Life's Consequences), 2018
A cat scratching post sculpture based on Sol LeWitt's incomplete open cube works.


 

Annabel Elgar, Birds of Canada - Book presented to Jaymie Matthews by the Canadian government in exchange for a moon rock in his possession, 2014


 

Jon Field, Maxwell’s Demon , 2010
steel pins & rubber on board 3/12.

Alex Robbins, Postcard a day from LA, 2018-ongoing
 

Katrina Blannin, Number 202, 2018
Collograph monotype using handmade traditional Japanese nori (rice flour) paste ink on paper.

Ruth Waters, REDSKY66, 2017
17 minute video installation.

 

Katrina Blannin, Number 203, 2018
Collograph monotype using handmade traditional Japanese nori (rice flour) paste ink on paper
 

Kate Street, Luminous, 2018
Digital collage, inkjet print.

Jevan Watkins Jones, Last Blossom, 2018
Video loop (5’16”), shot on Blackberry phone (2013).

Alex Robbins, Postcard a day from LA, 2018-ongoing

Maddie Exton, Social Cycle Theory, 2017-ongoing
Photographs of found footprints in concrete.

Carl Morton, 2018
Glass tank, led lamp, assortment of objects.
 

10th July, left to right; Alex Pearl, Alex Robbins, Carl Morton, Maddie Exton.


 

Alice Campos, Through the View Finder, 2018
35mm triple exposures.

Alex Robbins, Postcard a day from LA, 2018-ongoing

Carl Morton, 2018
Glass tank, led lamp, assortment of objects.



 

Simon Willems, Universal Solutions Incorporated, 2017
Oil and Acrylic on paper.



 

Alex Pearl, Wondering Ipswich, 2018
Planning permission sign installed outside Atlas House for the construction of a rooftop observatory, including planetarium and radio telescope.

1st July 2018